What it picks up.

Every frame LUMIX writes to the card — stills, clips, the sidecar files that travel with them. SyncShot reads the card once and copies what it finds, regardless of body or format.

RAW files
RW2 from every LUMIX generation, pulled at full resolution. Single shots, brackets, drive-mode bursts — copied as the camera wrote them.
Compressed
JPEG and HEIF at every quality setting. Whatever the body produced sits on the card; whatever sits on the card lands at the destination.
Video
ProRes from S1H, S5II and the rest of the video-first lineup, the H.265 modes, the long takes that need a single-pass copy.
Metadata
Timestamps, lens data, photo-style tags, the technical EXIF the camera embedded. Preserved as the file moves from card to destination.

Where it sends.

One source, many destinations — and SyncShotreads the card once, then fans the same files out to every place you chose. Pick one. Pick five. The card doesn't spin up again for each one.

Internal disk
Your Mac's own drive. The fastest target — usually first in the chain so the slower destinations can feed from it in the background.
External drives
USB-C and Thunderbolt SSDs, spinning HDDs, anything macOS mounts. Multiple drives at once if your shoot demands it.
Network storage
Synology, QNAP, TrueNAS, plain SMB shares. SyncShot writes over the network without blocking the local copy or slowing the card read.
Cloud
S3 and S3-compatible buckets (Wasabi, R2, MinIO), Google Drive, Dropbox, Azure Blob. Same job, different destination — uploaded in parallel.

How it works.

  1. 01

    Mount the card

    Card into the reader, or the body connected over USB. SyncShot sees the source the moment macOS does — no driver, no companion app.

  2. 02

    Choose destinations

    Pick every place this shoot belongs. Save the set as a workflow if you'll use it again — next time it's one click.

  3. 03

    Hit start

    SyncShot reads the card once and writes to every destination in parallel. The fastest disk finishes first; cloud uploads keep going in the background.

  4. 04

    Trust the report

    Every byte is hash-checked end to end. When the job finishes you get a report — what was copied, where it landed, every verification mark. The byte that left the card is the byte that arrived.

Panasonic, in detail.

S1H remains the low-light hybrid of choice; S5 II X answers the phase-detect autofocus complaints; GH7 and GH6 hold the Micro Four Thirds cinema line, and the BS1H box body still turns up on multi-cam sets. Stills come as RW2, HEIF, or JPEG. Video ranges from internal ProRes 422 HQ and 4444 (S1H, GH6, GH7) through All-Intra V-Log H.265, with ProRes RAW available via HDMI to a Ninja V.

The GH bodies also record to a USB-C tethered SSD instead of a card — SyncShot treats the tethered SSD as just another mount on offload. Tip: V-Log clips need the paired VLog_to_V709 LUT at post. SyncShot never touches the LUT; grab Panasonic's official bundle from the linked user-guide and drop it into Resolve alongside the copied clips.

Common questions.

  1. 01

    Does SyncShot work with every Panasonic LUMIX camera?

    If the card or the camera shows up in macOS — Image Capture, Finder, a card reader — SyncShot reads it. LUMIX S full-frame, LUMIX G micro four thirds, the older bodies too. No driver, no companion app.

  2. 02

    Can it copy to my external drive and my NAS at the same time?

    Yes. Pick as many destinations as you want — internal disk, external SSD, NAS, S3-compatible bucket, Google Drive — and SyncShot reads the card once and feeds every destination in parallel.

  3. 03

    What happens to the card after a copy?

    By default the card is read-only — SyncShot is built to copy, not move. Formatting is something you do in-camera when you're ready, never something the offload tool decides for you.

  4. 04

    How do I know the copy is intact?

    Every copy is hash-verified end to end. If a destination wrote something other than what the card handed over, SyncShot flags it and retries — and the job report tells you exactly what landed where.

  5. 05

    Does the GH-series USB-C SSD-tether mode offload cleanly?

    Yes. GH6 and GH7 can record to a USB-C tethered SSD instead of the SD slots — SyncShot sees the tethered SSD as just another mount when you plug it into the Mac and treats it exactly like a card. Same job, same verification, same report. No special mode, no dance with a proprietary utility. Point at the SSD, pick destinations, run.

Also offloading from Sony, Fujifilm, or OM System? Browse everything SyncShot loves.